[note: the following is a more “scholarly” reflection, representative of some of my ongoing doctoral studies which focus on making sure that families working through the challenges of raising children previously abused or neglected, or are having attachment issues find a welcoming place of worship in their community… a place at the table, if you will. If you are interested in following some of my more scholarly work, check out www.fullhousewithaces.com )
“Trinity,” a work of art attributed to Russian painter Andrei Rublev, was created in the 15th century. It is Rublev’s most famous work and depicts the three angels that visited Abraham at the Oak of Mamre (the story can be found in Genesis 18:1-15). The symbolism is purposefully multifaceted, and therefore the work is understood to be an icon of the Holy Trinity—Father, Son, and Holy Spirit. The three figures, depicted as angelic visitors, are seated at a table. They are beckoning the view to join in the meal, to sit at the table.
The personal, relational nature of God as plurality in unity—three-in-Oneness—is the basis for meaningful engagement between all persons. How can I make such a claim? In part, because of my Christian belief is that humankind is created in God’s image:
So God created mankind in his own image,
in the image of God he created them;
male and female he created them. (Genesis 1:27, NIV)
Because God is relational, existing in three coequal persons in a mysterious diversity while maintaining essential unity, we are relational. We reflect the nature of God: we are created for relationship. These relationships should include the same diversity that exists in the Godhead—extending ourselves to reach out to those unlike ourselves in some way. We need to be cross-cultural.
When it comes to cross-cultural engagement, however, we need to be careful about HOW we are in relationship with the “other”—whether that “other” is the opposite gender, someone of another race, or any number of distinctive characteristics that could be used to keep us separate, divided, and suspicious of one another. Cultural engagement, the stated topic of the doctoral work for which I am currently engaged with a small cohort of students at Multnomah University, involves a purposeful process of humbling approaching the “other” in our midst, all the while mindful of the baggage we come into these interactions with.